Art | Artist Monographs

"Kusama's vitality is infectious." -Roberta Smith

In a unique style that is both sensory and utopian, Yayoi Kusama's work--which spans paintings, performances, room-size presentations, sculptural installations, literary works, films, fashion, design and interventions within existing architectural structures--has transcended some of the most important art movements of the second half of the 20th century, including pop art and minimalism. As Roberta Smith wrote in the New York Times, "These paintings form a great big infinity room of their own, but one in which each part is also an autonomous work of art, its own piece of wobbly, handwrought infinity ... their vitality is infectious."

Yayoi Kusama: Festival of Life documents the artist's exhibition at David Zwirner's Chelsea location in New York in late 2017, featuring a selection of paintings from her iconic My Eternal Soul series, new large-scale flower sculptures, a polka-dotted environment and two Infinity Mirror Rooms. The monograph includes new scholarship on the artist by Jenni Sorkin, as well as a special foldout poster.

Review: "[This collection includes] some of her best-known works, like the endlessly Instagrammed mirrored Infinity Rooms, polka-dotted plastered spaces, and a selection of her paintings."--The Editors "New York Magazine"
"If your art-loving friend missed Japanese artist Yayoi Kusama's 2017 exhibition at the David Zwirner gallery in Chelsea, this monograph captures some of her iconic works."--The Editors "New York Magazine"
"The artist of 'Infinity' rooms has become an Instagram darling. But two new gallery exhibitions in New York show that she's much more than that - an almost frighteningly fertile talent."--Roberta Smith "The New York Times"

Author Biography: Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: pop art and minimalism. Her extraordinary and highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

Jenni Sorkin is Associate Professor of Contemporary Art History at University of California, Santa Barbara. She holds a PhD in the History of Art from Yale University. She has written numerous in-depth essays on feminist art and issues of gender, and writes frequently on the intersection between gender, craft, material culture, and contemporary art. She has published and lectured widely as an art critic and curator, and is the author of Live Form: Women, Ceramics and Community (2016), which examines gender and postwar ceramics practice at Black Mountain College and other utopian communities. In 2016, she co-curated, with Paul Schimmel, Revolution in the Making: Abstract Sculpture by Women, 1947-2016, the inaugural exhibition at Hauser & Wirth in Los Angeles, in which Yayoi Kusama was included.