Ordinary Notes

Author: Christina Elizabeth Sharpe

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General Fields

  • : 37.00 NZD
  • : 9781914198144
  • : Daunt Books
  • : Daunt Books
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  • : 01 February 2023
  • : {"length"=>["18.1"], "width"=>["11.1"], "units"=>["Centimeters"]}
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  • : books

Special Fields

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  • : Christina Elizabeth Sharpe
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  • : Paperback
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  • : English
  • : 818.607
  • : 382
  • : BM
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Barcode 9781914198144
9781914198144

Local Description

 

 

Author Biography: Christina Sharpe is an American writer and academic of literature and Black studies. She is currently a Professor in the department of humanities at York University, Canada, and Distinguished Visiting Professor at Ryerson University. Sharpe is the author of Monstrous Intimacies: Making Post-Slavery Subjects (Duke University Press, 2010) and In the Wake: On Blackness and Being (Duke University Press, 2016)

Description

Critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman).


A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past--public ones alongside others that are poignantly personal--with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages--sometimes about language, beauty, memory; sometimes about history, art, photography, and literature--always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.


At the heart of Ordinary Notes is the indelible presence of the author's mother, Ida Wright Sharpe. "I learned to see in my mother's house," writes Sharpe. "I learned how not to see in my mother's house . . . My mother gifted me a love of beauty, a love of words." Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method," collects entries from a community of thinkers toward a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.