'Rarely has anyone been so at home in the mind, with so little ambivalence. Far from being a source of complacency, this attitude is Canetti's great strength.... [He] is someone who has felt in a profound way the responsibility of words.... His work eloquently and nobly defends tension, exertion, moral and amoral seriousness.'
- Susan Sontag, New York Review of Books

'Canetti invites - indeed, compels - judgement. His exacting presence honours literature.'
- George Steiner, New Yorker

'Canetti led his life without compromise, fear, or guilt, and [reading him is] like discovering, without warning, a complex and satisfying work of art.'
- David Denby, New Yorker

'One of our great imaginers and solitary men of genius.'
- Iris Murdoch

'The erudition is genuinely awe-inspiring.'
- Salman Rushdie

'Before there was the mysterious W. G. Sebald, there was the even more mysterious Elias Canetti'
- Clive James, New York Times

'By virtue of his abundant wit and stylistic pithiness, Canetti stands out as one of the foremost aphorists of our time, a man who, in his phrasing of life's ironies, is sometimes reminiscent of great predecessors like La Bruyere and Lichtenberg.'
- Swedish Academy, Nobel Prize in Literature 1981

'This heterogeneous collage of vignettes, literary theory and personal musings against the notion of dying, from the Nobel Prize-winning author of Auto-da-Fe (1947), is stitched together by a humorous, analytically sharp tone, with a healthy dose of anger and despair.'
- Ivana Cholakova, Frieze

'The power of Canetti's method, in its flexibility and its range, achieves that rarest of contemporary feelings: a clear and terrible vision of human inadequacy which itself does not harden into contempt and spite.... the most important literary expression, in the last forty years, of the processes of delusion.'
- Raymond Williams (praise for Auto da Fe)

'One of the few undoubted masterpieces of our time.'
- John Davenport (praise for Auto da Fe)

Author Biography: Elias Canetti was born in 1905 into a Sephardi Jewish family in Ruse, Bulgaria. He moved to Vienna in 1924, where he became involved in literary circles while studying for a degree in chemistry. He remained in Vienna until the Anschluss, when he emigrated to England and later to Switzerland, where he died in 1994. In 1981, Canetti was awarded the Nobel Prize in Literature for 'writings marked by a broad outlook, a wealth of ideas, and artistic power'. His best-known works include his trilogy of memoirs The Tongue Set Free, The Torch in My Ear, and The Play of the Eyes; the novel Auto-da-F; and the non-fiction book Crowds and Power.

Peter Filkins is the translator of Ingeborg Bachmann's collected poems, Darkness Spoken, as well as three novels by H. G. Adler, The Journey, Panorama and The Wall. He published a biography, H. G. Adler: A Life in Many Worlds, in 2019. Filkins's fifth collection of poems, Water / Music, appeared in 2021. He teaches at Bard College.


Joshua Cohen was born in 1980 in Atlantic City. His books include the novels Moving Kings, Book of Numbers, Witz, A Heaven of Others, and Cadenza for the Schneidermann Violin Concerto; the short fiction collection Four New Messages, and the non-fiction collection Attention: Dispatches from a Land of Distraction. Called 'a major American writer' by the New York Times, 'maybe America's greatest living writer' by the Washington Post, and 'an extraordinary prose stylist, surely one of the most prodigious at work in American fiction today' by the New Yorker, Cohen was awarded Israel's 2013 Matanel Prize for Jewish Writers, and in 2017 was named one of Granta's Best Young American Novelists. In 2022, he was awarded the Pulitzer Prize for Fiction for The Netanyahus. He lives in New York City.