Author(s): Laura Cumming

Art | Grief | The Writers' Prize short list 2024 (formerly The Folio Prize) | Biography and Memoir | 2024 Women's Prize for Non-Fiction | 2024 Women's Prize for Non-Fiction — short list

From the Sunday Times-bestselling author of On Chapel Sands, a stunning new memoir of a life in art, a father and daughter, and what a shared love of a painting can come to mean.
'No one writes art like Laura Cumming' Philip Hoare, author of Albert and the Whale
'I shall never look at any painting in the same way again' Polly Morland, author of A Fortunate Woman _____________________
'We see with everything that we are' On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. The thunderclap was heard over seventy miles away. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving only his haunting masterpiece The Goldfinch and barely a dozen known paintings. For the explosion that killed him also buried his reputation, along with answers to the mysteries of his life and career. What happened to Fabritius before and after this disaster is just one of the discoveries in a book that explores the relationship between art and life, interweaving the lives of Laura Cumming, her Scottish painter father, who also died too young, and the great artists of the Dutch Golden Age. Thunderclap takes the reader from Rembrandt's studio to wartime America and contemporary London; from Fabritius's goldfinch on its perch to de Hooch's blue and white tile and the smallest seed in a loaf by Vermeer. This is a book about what a picture may come to mean: how it can enter your life and change your thinking in a thunderclap. For the explosion of the title speaks not only to the precariousness of our existence, but also to the power of painting: the sudden revelations of sight. _____________________
Praise for Laura Cumming: 'Cumming skilfully withholds key twists in the tale, revealing them at just the right moment' The Times
'Outstanding . . . A peerless detective story that keeps you guessing to the end' Sunday Times
'Superb and original' Sunday Times
'Sumptuous . . . A gleaming work of someone at the peak of her craft' New York Times